These fingerings are merely suggestions you find what works best for you.
Piano melodic minor scales pdf download#
Suggested Fingerings for Bebop, Diminished, and Whole Tone Scales ( Download PDF) You can play II-V in your left hand with the bebop scale, and iimi7(b5)-V7b9 with the altered bebop scale. This will increase fluidity of your lines, and help your ears to hear harmonic resolution in lines. Practice them for speed and consistency, descending from the root, 3rd, 5th, and 7th of the scale. The inserted chromatic tone in each allows the chord tones of the scale to consistently fall on the beat over multiple octaves, which helps gives a line strong harmonic clarity. These are eight note scales that are adaptations of three commonly played seven note scales: the mixolydian (dominant), 5th mode of the harmonic minor (altered), and major scales. Try them on your instrument or just singing. Here are some audio files of completely random chord sounds for you to listen to and respond with scales that matche them. It is modeled on the C major scale, but these shapes can be practiced with any scale or mode. Here are various ways to practice a given scale, so you really get to know all the notes and intervals. Scales become musical when you can manipulate shapes through a tune, hearing the changing the scale sound as the harmony changes. Play in all twelve keys and keep a completely consistent fingering throughout. Since the majority of the modes are derived from the major and melodic minor scales, this exercise will help you play them all. Just cross reference the scale mode with the key, and try the fingering listed at the bottom. Scale fingering can be highly personal, but this chart can give you a place to start. Scale Fingerings for Modes of Major, Melodic Minor, and Harmonic Minor ( Download PDF) In the Scale Syllabus there are 5 Minor and 6 Dominant scales listed. Minor and Dominant Scale Choice Comparisons ( Download PDF) That means that the fingering groupings will apply to all the modes of the parent scale. The good news is that most of the scales listed in the Scale Syllabus are modes derived from a “parent” major and melodic minor scale, as shown on this chart. Ultimately, you want to learn them all in twelve keys, starting with the major and melodic minor scales. I suggest learning them at first as you need them in tunes you are studying, and always with a left-hand chord and at least two octaves. This is my catalog of the commonly used scales in jazz, along with the chordal extensions they highlight. As you learn tunes, it is good for your hearing to be able to color each harmonic change of a tune with a scale sound. Then add a left-hand voicing, preferably a 4-note rootless voicing, and continue so you associate the scale with the left-hand sound (they share the same notes). Learn them in the right hand alone at least two octaves ascending and descending (I recommend two octaves and a third ascending and descending), and with lots of repetition to solidify the fingerings. They consist of the basic chord tones and extensions of a chord, along with passing notes. Scales horizontally paint the color of a vertical harmony.
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